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‘Kill B.’ Review: Dances of Dominance
  + stars: | 2024-02-11 | by ( Siobhan Burke | ) www.nytimes.com   time to read: +1 min
The dancer Mia Zalukar lay collapsed on the stage of NYU Skirball, seemingly exhausted after a long solo — but she wasn’t doing it quite right. This is one of many such exchanges in “Kill B.,” a 2019 work by Isakovic and Zalukar that had its United States premiere on Friday evening as part of the Queer New York International Arts Festival. Organized by the Croatian curator Zvonimir Dobrovic, the festival features artists from Croatia, Canada, Argentina, Brazil and Germany exploring “what it is to be outside of the norm,” Dobrovic said in a curtain speech. He stressed that this outsider status is contextual; it might mean one thing in post-socialist Zagreb, another in São Paulo. Inspired by Quentin Tarantino’s “Kill Bill” movies, the decidedly brief “Kill B.” doesn’t evoke the bloody violence of the films (though there are some choice references) so much as the fraught director-actress relationship at their core.
Persons: Mia Zalukar, NYU Skirball, Bruno Isakovic, , Isakovic, Zvonimir Dobrovic, ” Dobrovic, , Quentin Tarantino’s “, Bill ” Organizations: NYU, Queer New York International Arts Locations: , States, Croatian, Croatia, Canada, Argentina, Brazil, Germany, Zagreb, São Paulo
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